Who Knows One

This is the run-up to Passover, which is, hold onto your seats, three weeks away. I can hear the strains of Dayenu wafting through the air right now.  Of all the Jewish holidays on the calendar, Passover holds the most memories. Sitting around the table, year after year, the cast of characters shifting, growing, contracting, growing again.

The seder has morphed for lots of us. In the old days, many of us had some old guy at the end of the table interminably mumbling in Hebrew as the guests around the table surreptitiously noshed or listlessly rolled their eyes,  overwhelmed by ennui. At the kid’s tables, there was a slow squirming right before the silverware percussion began. It was a dangerous scene, parents warning the kids to cease and desist, or else no afikomen prize…

Now the seder is a much hipper scene. This is reflected in the sheer number of hagadot on the market today. Everything from  A Passover Haggadah, prepared by the Central Conference of American Rabbis, to The Passover Haggadah: The Feast Of Freedom, prepared by the Rabbinical Assembly of the Conservative Movement, to A Night Of Questions, for The Reconstructionist Movement. There’s A Different Night: The Family Participation Haggadah , published by the Hartman Institute in Jerusalem, New American Haggadah, edited by Jonathan Safran Foer, and about 200 others, from hardcore ultra-Orthodox no mixing matzo with water, to Like An Orange on a Seder Plate: Our Lesbian Haggadah by Ruth Simpkins, to Ma Nishtana: A Gay, Lesbian, Bisexual, Transgender, Questioning, Ally Haggadah, to the Global Diversity Haggadah. I’m sure there are still old guys mumbling at the table, but more and more, there are seders that include Martin Luther King and Eli Weisel, seders where the music of Bob Marley and The Redemption Song, resonate beside Adir Hu and Who Knows One.

The Sixties was a turning point for seder tables around America. Somehow Jews began to realize that the words in the Haggadah, the true meaning and substance of the text, was about change and liberation and the end of subjugation.  We are a strange nation that moves to the beat of a different drummer. Maybe it has something to do with the Passover story; maybe it didn’t even happen. But I think most Jews believe something may have happened. Surely this has something to do with the fact that Jews the world over, frequently of imperfect faith, have gathered sometimes awkwardly and even resentfully around Seder tables annually and retold their ancient narrative. They have sung and talked about an almost broken people who were remembered and redeemed … for a unique role and an existential mission. They all told a similar story of hope, obligation, and gratitude, expounding upon (but not changing) the universal format of Pesach, Matzo, and Marror, no matter how wonderful or horrible things were, regardless of their legitimate doubts.

The scary thing about change is that you can never know what the next stage is in the metamorphic process. We know about caterpillars and butterflies, about tadpoles and frogs. But we humans are an utterly unpredictable species. Once we acknowledge that we need to change with the times, where, as Tevye once asked, does it stop?

This is a continuation of the Judaism 2.0 trope. What was once the answer no longer works. We are challenged to make our Judaism a relevant part of our lives, not culinary nostalgia for a bowl of matzah ball soup, then business as usual. The seder must be a place where good food is accompanied by good conversation and relevant controversies. Otherwise, the ride is over, and Judaism becomes an atavistic footnote, as quaint and “odd” as Amish in buggies. Make it real!

Shabbat Shalom,

rebhayim

PS This Saturday night is my 20th anniversary with Temple Beth Avodah. Twenty years?? It has been a ride of a lifetime, and the good news is there is still more to come! I am so grateful for this moment in time. I will put my remarks up online. In the meantime, Shabbat Shalom – and thank you.

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